Donatella’s Tribute to Gianni– Nostalgic or Du Jour?

Gianni Versace, a cultural icon whose tragic murder has left not only a deep sense of remorse, but a reservoir of timeless fashion, inspires us even today; with American Crime Story announcing Gianni Versace’s murder as their next subject, his narrative has resurfaced within our minds. This was the galvanizing backdrop for Donatella Versace’s Spring 2018 show, “Tribute to Gianni.”

Digging deep into his archives from the 90s, Donatella orchestrated a nostalgic showcase of Gianni’s genius through his most classic prints and styles. However, she also adapted his creations to today’s trends. Did the final product of her efforts to integrate past and present display the intransigence of Gianni’s creations?

11,000 square feet, 13,000 of Mr. Versace’s designs– this 90s archive collection was Donatella’s source of inspiration for her Spring collection, featuring iconic prints such as the vibrant portraits of Marilyn Monroe and James Dean known to many as the ‘Warhol,’ underwater fauna, the leopard, and many others.

However, what went unnoticed is the style in which these prints were portrayed. Departing from Gianni’s baroque form-fitting gowns and alluring slit skirts, Donatella took over the runway in sharp-shouldered jackets and casual day-wear. This chic, more minimalistic aesthetic is timely, and is more wearable for the everyday consumer than Gianni’s ornate, vintage regality. This show was therefore the work, not only of a sister committed to honoring her brother’s legacy, but also of a businesswoman eager to keep her brand in vogue.

What took center-stage at this show, however, was Donatella’s overbearing love and admiration for Gianni. A voiceover of her own words said "imagine a world without his risk-taking, his innovative genius. Gianni, we love you." Like a headline, the wall behind the runway read- "Tribute to Gianni Versace: Celebration of His Life and Works.” Presented with these reminders, the teary-eyed audience was thinking of Gianni’s legacy, rather than the modernization of his classic designs.

To top that, the entire spectacle ended with an unforgettable homage to Gianni. His favorite models, Cindy Crawford, Naomi Campbell, Claudia Schiffer, Helena Christensen and Carla Bruni, adorned in glistening, suave champagne-gold gowns displayed Gianni’s timelessness and versatility, and through this show, perhaps Donatella came to terms with her brother’s tragic demise, and finally bid him farewell.